#York theatre royal

[yorkcalling]

Sancho & Me Announced for York Theatre Royal

Sancho & Me York Theatre Royal November 14, 7.30pm Sancho & Me at York Theatre Royal on November 14 is an unmissable night of storytelling by actor and author Paterson Joseph built around his recent novel The Secret Diaries of Charles Ignatius Sancho. Charles Ignatius Sancho was born on a slave ship on the Atlantic Ocean in 1729. He became a writer, composer, shopkeeper and respected ‘man of…

[kaelula-sungwis]

norm by James Drury Via Flickr: Cast portrait ‘Coppergate Woman’ Strobist Info: Single Godox ad200 pro in medium Octabox, camera right. Feathered and fired into large silver reflector below subject

[ougonnotaiyou]

Paddy Considine dancing to The Rolling Stones “Street Fighting Man” song! 😍

It’s great and badass (at the same time)!  

I want so badly to see “The Ferryman” with the original cast!

Does anyone know:

1)  if there is any official recording of this play/musical? I’d like to buy an original DVD disc or an access to a digital copy!

2) if not, where I could watch it online?

It’s a shame that the play which received so many accolades is unavailable for those who haven't had a chance to see it at the theatre!

[daphnedauphinoise]

Full Length Ballet Performances

Cinderella

Instituto Nacional De Las Bellas Artes 🩰 Russian National Ballet

Coppelia

Paris Opera Ballet 🩰 Bolshoi Ballet Theatre

Don Quixote

The National Ballet Theatre of Ukraine 🩰Teatro alla Scala di Milano Marrinsky Theatre

Giselle

Bolshoi Ballet Theatre 🩰 Polish National Ballet 🩰 The Royal Danish Ballet 🩰 National Opera and Ballet Theatre of Mari El

La Bayadère

National Opera and Ballet Theatre of Mari El.🩰 Bolshoi Ballet Theatre

La Fille Mal Gardée

Serbian National Ballet

La Sylphide

The Royal Danish Ballet

Marguerite & Armand

The Royal Ballet

Mayerling

Stainslavsky Ballet

Nutcracker

The New York City Ballet 🩰Marrinsky Theatre 🩰 National Opera and Ballet Theatre of Marie.El

Romeo and Juliet

Ural Opera Ballet🩰 Bolshoi Ballet Theatre

Swan Lake

Kirkov Ballet 🩰 St Petersburg Ballet Theatre 🩰 American Ballet Theatre 🩰 Bolshoi Ballet Theatre

The Sleeping Beauty

Staatsballett Berlin 🩰 National Opera and Ballet Theatre of Mari El 🩰 Marrinsky Theatre 🩰 l'Opéra Bastille 🩰Teatro alla Scala 🩰 Bolshoi Ballet Act 1 Bolshoi Ballet Act 2

The Rite of Spring (Le sacre du printemps)

Marrinsky Theatre

I was born in the correct generation because I loved those photos so much, I decided to look up the ballet so I could watch it and there it was ! I have added other full length performances as well and for most of the pieces I have added different ballet companies (if I could find) just because different ballet companies means different choreography ( not always but certain companies are reowned for their distinct style)

Enjoy!

xo Daphne

[mimi-0007]

FATHER & SON: James Earl Jones with his Father Robert Earl Jones on Stage in the 1962 Production "Moon on a Rainbow Shawl."

Robert Earl Jones (February 3, 1910 – September 7, 2006), sometimes credited as Earl Jones, was an American actor and professional boxer. One of the first prominent Black film stars, Jones was a living link with the Harlem Renaissance of the 1920s and 1930s, having worked with Langston Hughes early in his career.

Jones was best known for his leading roles in films such as Lying Lips (1939) and later in his career for supporting roles in films such as The Sting (1973), Trading Places (1983), The Cotton Club (1984), and Witness (1985).

Jones was born in northwestern Mississippi; the specific location is unclear as some sources indicate Senatobia, while others suggest nearby Coldwater. He left school at an early age to work as a sharecropper to help his family. He later became a prizefighter. Under the name "Battling Bill Stovall", he was a sparring partner of Joe Louis.

Jones became interested in theater after he moved to Chicago, as one of the thousands leaving the South in the Great Migration. He moved on to New York by the 1930s. He worked with young people in the Works Progress Administration, the largest New Deal agency, through which he met Langston Hughes, a young poet and playwright. Hughes cast him in his 1938 play, Don't You Want to Be Free?.

Jones also entered the film business, appearing in more than twenty films. His film career started with the leading role of a detective in the 1939 race film Lying Lips, written and directed by Oscar Micheaux, and Jones made his next screen appearance in Micheaux's The Notorious Elinor Lee (1940). Jones acted mostly in crime movies and dramas after that, with such highlights as Wild River (1960) and One Potato, Two Potato (1964). In the Oscar-winning 1973 film The Sting, he played Luther Coleman, an aging grifter whose con is requited with murder leading to the eponymous "sting". In the later 20th century, Jones appeared in several other noted films: Trading Places (1983) and Witness (1985).

Toward the end of his life, Jones was noted for his stage portrayal of Creon in The Gospel at Colonus (1988), a black musical version of the Oedipus legend. He also appeared in episodes of the long-running TV shows Lou Grant and Kojak. One of his last stage roles was in a 1991 Broadway production of Mule Bone by Hughes and Zora Neale Hurston, another important writer of the Harlem Renaissance. His last film was Rain Without Thunder (1993).

Although blacklisted by the House Un-American Activities Committee in the 1950s due to involvement with leftist groups, Jones was ultimately honored with a lifetime achievement award by the U.S. National Black Theatre Festival.

Jones was married three times. As a young man, he married Ruth Connolly (died 1986) in 1929; they had a son, James Earl Jones. Jones and Connolly separated before James was born in 1931, and the couple divorced in 1933. Jones did not come to know his son until the mid-1950s. He adopted a second son, Matthew Earl Jones. Jones died on September 7, 2006, in Englewood, New Jersey, from natural causes at age 96.

THEATRE

1945 The Hasty Heart (Blossom) Hudson Theatre, Broadway

1945 Strange Fruit (Henry) McIntosh NY theater production

1948 Volpone (Commendatori) City Center

1948 Set My People Free (Ned Bennett) Hudson Theatre, Broadway

1949 Caesar and Cleopatra (Nubian Slave) National Theatre, Broadway

1952 Fancy Meeting You Again (Second Nubian) Royale Theatre, Broadway

1956 Mister Johnson (Moma) Martin Beck Theater, Broadway

1962 Infidel Caesar (Soldier) Music Box Theater, Broadway

1962 The Moon Besieged (Shields Green) Lyceum Theatre, Broadway

1962 Moon on a Rainbow Shawl (Charlie Adams) East 11th Street Theatre, New York

1968 More Stately Mansions (Cato) Broadhurst Theatre, Broadway

1975 All God's Chillun Got Wings (Street Person) Circle in the Square Theatre, Broadway

1975 Death of a Salesman (Charley)

1977 Unexpected Guests (Man) Little Theatre, Broadway

1988 The Gospel at Colonus (Creon) Lunt-Fontanne Theatre, Broadway

1991 Mule Bone (Willie Lewis) Ethel Barrymore Theatre, Broadway

FILMS

1939 Lying Lips (Detective Wenzer )

1940 The Notorious Elinor Lee (Benny Blue)

1959 Odds Against Tomorrow (Club Employee uncredited)

1960 Wild River (Sam Johnson uncredited)

1960 The Secret of the Purple Reef (Tobias)

1964 Terror in the City (Farmer)

1964 One Potato, Two Potato (William Richards)

1968 Hang 'Em High

1971 Mississippi Summer (Performer)

1973 The Sting (Luther Coleman)

1974 Cockfighter (Buford)

1977 Proof of the Man (Wilshire Hayward )

1982 Cold River (The Trapper)

1983 Trading Places (Attendant)

1983 Sleepaway Camp (Ben)

1984 The Cotton Club (Stage Door Joe)

1984 Billions for Boris (Grandaddy)

1985 Witness (Custodian)

1988 Starlight: A Musical Movie (Joe)

1990 Maniac Cop 2 (Harry)

1993 Rain Without Thunder (Old Lawyer)

TELEVISION

1964 The Defenders (Joe Dean) Episode: The Brother Killers

1976 Kojak (Judge) Episode: Where to Go if you Have Nowhere to Go?

1977 The Displaced Person (Astor) Television movie

1978 Lou Grant (Earl Humphrey) Episode: Renewal

1979 Jennifer's Journey (Reuven )Television movie

1980 Oye Ollie (Performer) Television series

1981 The Sophisticated Gents (Big Ralph Joplin) 3 episodes

1982 One Life to Live

1985 Great Performances (Creon) Episode: The Gospel at Colonus

1990 True Blue (Performer) Episode: Blue Monday

[audreycritter]

HELLO?!?

[casper-spills]

| Tarot Cards: Places they represent |

✩░▒▓▆▅▃▂▁𝟑𝟎𝟎 𝐅𝐨𝐥𝐥𝐨𝐰𝐞𝐫𝐬 𝐒𝐩𝐞𝐜𝐢𝐚𝐥!▁▂▃▅▆▓▒░✩

Hey guys! Welcome back to another post ♡

We reached 300 followers! And I'm gonna do a special for you guys because I seriously am so grateful for all of your support. My blog has been growing so fast and I literally never expected to be where I am today. Thank you! ♡

This post will be a little different to my usual stuff. I was thinking I might start a series like this where I give some tips on how to read your tarot! I'll also include the sources I use at the end in case you wanted to check those out too.

Anyway, here is a list of places that the cards represent ♡

Sincerely,

Cassy the friendly ghost ♡

✦Masterlist ✦Paid Readings ✦Support me through Kofi

𓆩♡𓆪 𝙎𝙐𝙈𝙈𝙀𝙍 𝘿𝙄𝙎𝘾𝙊𝙐𝙉𝙏 50% 𝙊𝙁𝙁 !! 𓆩♡𓆪

Ends on September 22nd

| KO-FI SHOP |

| MAJOR ARCANA |

1. Magician - Kitchen, labatory, shows, music, magic, performances

2. High Priestess - Secret place, secret society, library, somewhere quiet, reading rooms, theatre, halls

3. Empress - Old/stately homes, old school building, old hospital building, boutique, beauty parlor, restaurants

4. Emperor - Royal palace, business establishments, schools, univerisity

5. Heirophant - Church, univeristy, temple, place of worship, corporate building

6. Lovers - Sweet shop, date locations, love hotel, honeymoon places

7. Chariot - Car ralley, racing fixtures, garages, horse racing, highway

8. Strength - Zoo, petting zoos, gym, fitness studios

9. Hermit - Cave, retreat centres, hill walking

10. Wheel - Ferris wheels, london eye, casino, lottery tickets, shops selling wheels

11. Justice - Court, arbitration offices, counselling institution, police department

12. Hanged Man - Bungee jumping, sky diving, thrilling activities

13. Death - Church yard, funeral parlor, butcher, cemetary

14. Temperance - Cocktail bar, queues, waiting rooms, chemist dispensary

15. Devil - Adult shops, clubs, casinos, brothel, strip clubs

16. Tower - Chop shops, tall buildings, skyscrapers, stormy areas, fire

17. Star - Water, ocean, river, stargazing

18. Moon - Nighttime, stargazing, movie, stage, theatre

19. Sun - Birth centre, midwifery unti, hospital, holidays, tanning booths, abroad

20. Judgement - Rehabilitation centres, church, treament centres, spa

21. World - Airport, flying, dance studios

| MINOR ARCANA |

☁︎ 𝒔𝒘𝒐𝒓𝒅𝒔 ☁︎

Ace - Editor's room, skyscrapers, office, library, radio tower

Two - Statue of liberty, new york, seashore

Three - Hospital, rainy place, cloudy areas

Four - Bedroom, quiet places, funeral parlor

Five - Debate club, near water, themepark, competitive environments

Six - Boats, river, cruisers

Seven - Archery, secret location, casino, bomb shelter

Eight - Prison, therapy

Nine - Psychiatric hospital, confessional

Ten - Surgery room, accupuncture clinic, dentists

Page - Fraternity, rowdy places, sports arena

Knight - Windy places, windmills

Queen - Fenced off places, great walls, boundaries, spikes fences

King - Lawyers office

🕯 𝒘𝒂𝒏𝒅𝒔 🕯

Ace - Workshop, construction site

Two - Balcony, overseas, historical travel, boat

Three - Seaside, boat travel

Four - Fastfood, cafe, outdoors, wedding, celebration

Five - Sport centre, pool game

Six - Market, downtown, show, event, someone/something noticable

Seven - Competitive/violent environment

Eight - Road trip, highway

Nine - Competitive environment, barrier, wall, bouncer, high security

Ten - Workplace, labour, sweatshop

Page - Disco, dance, party

Knight - Hot and dry place, bonfire, abroad, holiday

Queen - Social events

King - Active place, fast moving environments

꒦꒷ 𝒄𝒖𝒑𝒔 ꒷꒦

Ace - Lake, pond, birdbath, birds

Two - Luxury, home, common dating places

Three - Bar, pub, party

Four - Under a tree, graveyard

Five - A place of regret, place of bad memories, hospital, flooded areas, bridge, after party cleanup, alone in a bar

Six - Flourists, schoolyard, playground, nostalgic places

Seven - Highup places, views, drug suppliers, spots where people do drugs, drug shops

Eight - Bookstore, library, cave, quiet

Nine - Bar, party, pub, dinner, home

Ten - Family gatherings, park, outdoor, bbq party

Page - Aquariums, fish tanks, sea parks

Knight - Picnics, peaceful/romantic areas

Queen - Bathtub with cancles, home, skinny dipping, swimming

King - Beach, lake

˗ˏˋ 𝒑𝒆𝒏𝒕𝒂𝒄𝒍𝒆𝒔 ˎˊ˗

Ace - Dispensary, bank, currency exchange centre

Two - Circus, arcade, carnival

Three - Fashion show runway, art gallery, boutique, museum

Four - Uncle scrooge's home, gold reserves, saferoom, secret hideout, vault

Five - The streets, people living in powerty, homeless spots,

Six - Pawn shops, currency exchange shops, trade stores

Seven - Nursery, orchard

Eight - workshop, construction site

Nine - Gardens, green parks

Ten - Market

Page - Field, farm, family business

Knight - Workplace, chores, school

Queen - Home, nursery room

King - Bank manager's office

♥Thank you for your support!♥

Dividers by @cafekitsune, @animatedglittergraphics-n-more

Source

[paulftompkins]

VarieTOURpia 2025 is coming with the Spring! And tickets are BLOOMING in these links!

THURSDAY 23 APRIL 2025 IOWA CITY IA USA

THE ENGLERT THEATRE

TICKETS

FRIDAY 24 APRIL 2025 ST. PAUL MN USA

THE FITZGERALD THEATRE

TICKETS

SATURDAY 25 APRIL 2025 MADISON WI USA

BARRYMORE THEATRE

TICKETS

SUNDAY 26 APRIL 2025 CHICAGO IL USA

RIVIERA THEATRE

TICKETS

MONDAY 27 APRIL 2025 ROYAL OAK MI USA

ROYAL OAK MUSIC THEATRE

TICKETS

TUESDAY 29 APRIL 2025 LAKEWOOD OH USA

THE ROXY

TICKETS link to come

WEDNESDAY 30 APRIL 2025 TORONTO ON CANADA

QUEEN ELIZABETH THEATRE

TICKETS

FRIDAY 2 MAY 2025 NEW YORK CITY NY USA

THE TOWN HALL

TICKETS

SATURDAY 3 MAY 2025 BOSTON MA USA

THE WILBUR

TICKETS link to come

SUNDAY 4 MAY 2025 PHILADELPHIA PA 

THEATRE OF LIVING ARTS 

TICKETS

WEDNESDAY 7 MAY 2025 WASHINGTON DC USA

THE HOWARD

TICKETS link to come

FRIDAY 9 MAY 2025 DURHAM NC USA 

THE CAROLINA THEATRE OF DURHAM FLETCHER HALL

TICKETS

SATURDAY 10 MAY 2025 ATLANTA GA USA

VARIETY PLAYHOUSE

TICKETS

SATURDAY 6 JUNE 2025 PORTLAND OR USA

REVOLUTION HALL

TICKETS

SUNDAY 7 JUNE 2025 SEATTLE WA USA

NEPTUNE THEATRE

TICKETS

SATURDAY 8 JUNE 2025 VANCOUVER BC CANADA

COMMODORE BALLROOM

TICKETS

[scotianostra]

Happy Birthday Kenneth Campbell "Ken" Stott, born on October 19th 1954 in Edinburgh.

One of my favourite actors, as hard-drinking Detective hero of Ian Rankin's popular book he was Inspector John Rebus to me. Ken's Father was Scottish and a teacher, his mum a Sicilian, he went to the famous George Herriots school before going onto to Mountview Theatre School, where the distinguished actor Sir John Mills was president. Fellow Scot Douglas Henshall was also a student of the school. Before leaving Edinburgh Stott had been in a band called Keyhole some of the members of the group would later join the Bay City Rollers.

Ken went on to work with the Royal Shakespeare Company but the pay was poor and he subsidised his earnings by selling double glazing. His first TV role was in Secret Army for the BBC, parts in TV shows throughout his career have included, Taggart (of course) The Singing Detective, London's Burning, Your Cheatin' Heart and Silent Witness. He was insome good films too, The Debt Collector (with Billy Connolly) , Shallow Grave, (with Ewen MacGregor) and Plunkett & Macleane (with Robert Carlyle).

My favourite shows of Ken's have been the brilliant BBC Scotland series, Takin' Over the Asylum in which starred as Double Glazing salesman, but aspiring disc jockey

with David Tennant and Angus Macfadyen,The ITV series The Vice was also a cracking series where he played DI Pat Chappel and The BBC show Messiah, where again he played a cop, DCI Red Metcalfe where he learned sign language for scenes with his screen wife,and Rebus of course, when the show was resurrected in 2006, Stott was a first choice for many as D.I John Rebus, John Hannah had the role in the first incarnation, mainly due to it being made by his own production company.

On film Ken is probably best known for his role as the Dwarf, Balin in The Hobbit trilogy. He is a popular choice for voice work, as narrator for series such as Trawlermen, a documentary following North Sea trawlers, and Send in the Dogs, following the work of Police Officers and their canine partners.

One of my favourite stories about Ken Stott echoes the no nonsense approach of Rebus, on stage during Arthur Miller's A View From The Bridge, he halted the play when a group of teenage schoolkids were misbehaving and disturbing the show, switching from his stage American to his native Scots accent he told the teacher responsible for the children to remove them, or the play would not go on.

The house lights were switched on and there was then a 15-minute stand-off as discussions took place with the offending youngsters.

The audience took the side of Stott and even resorted to chanting 'out, out, out' in extraordinary scenes. Eventually the three culprits and an embarrassed teacher was forced to creep away before the play resumed at the Duke of York's Theatre.

Of his recent stuff check out The Dig,, it a decent film and based on a true story of an archaeologist embarks on the historically important excavation of Sutton Hoo in 1938.

I can't see anything happening on Ken's IMDb page, but there is a third series of the Irvine Welsh show Crime in development, so I expect he will reappear in that.

[notearsnora]

THE JOURNEY THROUGH OZ TOUR:

The first WICKED red carpet premiere will take place in SYDNEY, Australia in exactly 2 weeks on November 3rd. The Sydney State Theatre will be transformed into Munchkinland for the event.

The LOS ANGELES premiere will take place in the Dorothy Chandler Pavilion on November 9th. The venue will be transformed into Shiz University.

The MEXICO CITY premiere will take place in the National Auditorium on November 11th. It will be transformed into the enchanted forest.

The NEW YORK premiere will take place in the Museum of Modern Art on November 14th. It will be transformed into the Ozdust Ballroom.

The LONDON premiere will take place in the Royal Festival Hall on November 18th and it will be transformed into The Emerald City.

[yorkcalling]

Gary Oldman to Star in Knapp's Last Tape at York Theatre Royal

York Theatre Royal today announces that Gary Oldman will return to the theatre where he began his career in Samuel Beckett’s seminal work, Krapp’s Last Tape. The production begins previews on 14 April, and runs until 17 May 2025. CEO Paul Crewes said today, “When Gary visited us at the beginning of the year, it was fascinating hearing him recount stories of his time as a young man, in his first…

[garyoldmansource]

"EXCLUSIVE: Slow Horses star Gary Oldman is stepping back on stage in April 2025 for the first time after an absence of nearly four decades to star in Samuel Beckett’s celebrated one-man play Krapp’s Last Tape for a limited season at the British theatre where the actor began his professional career in 1979.

Oldman, who won an Oscar for Darkest Hour, is in London shooting season 6 of the acclaimed Apple TV+ spy drama Slow Horses. He will play Beckett’s famous old-timer, struggling to listen to a tape he recorded 39 years ago, at York Theatre Royal in North Yorkshire from April 14 through May 17."

[insanityclause]

EXCLUSIVE: Sigourney Weaver will make her West End stage debut as storm-creating sorcerer Prospero in The Tempest and Tom Hiddleston and Hayley Atwell will play sparring lovers Benedick and Beatrice in Much Ado About Nothing when director Jamie Lloyd returns Shakespeare early this winter to the historic Theatre Royal Drury Lane, a landmark venue in Covent Garden owned by Andrew Lloyd Webber.

Weaver, star of Ridley Scott’s Alien movies and James Cameron’s Avatar epics, last starred in one of Will’s plays when she played Portia in a 1986 off-Broadway revival of The Merchant of Venice. 

As a sophomore at Stanford in 1979, she played Goneril in a traveling production of King Lear. 

The star once revealed that she pretended “I was doing Henry V the entire time” she was playing Ripley in Alien. “I thought, ‘Well, as a woman, I’ll never be cast as Henry V, so this is my Henry V,” Weaver told New York magazine in a 2012 interview. 

“Sigourney knows her Shakespeare, she knows theater, and I  could not be more excited that she has agreed to play this role,“ Lloyd told Deadline.

He also said that he’s “thrilled” that “my dear friends Tom and Hayley” are headlining the romantic comedy Much Ado About Nothing in his Jamie Lloyd Company Drury Lane Shakespeare season.

The first preview of The Tempest is December 7, and it runs through February 1.

The first Much Ado About Nothing preview is on February 10, and that runs until April 5.

Built in 1763, the Theatre Royal Drury Lane became a popular venue for performances of Shakespeare. David Garrick and the ancient thespian greats played the Bard’s work there.

Lloyd Webber and his LW Theatre company spent an estimated $77M on a superbly realized restoration of the Theatre Royal Drury Lane, and he’d noted several times that he wanted Shakespeare back at The Lane, as it’s affectionately known, because he fondly remembers at age 9 being taken to see Gielgud in The Tempest “and it clearly made an impression on him,” said Lloyd.

The two men formed a close bond when they worked together on the now-Broadway-bound Olivier Award-winning Sunset Boulevard starring an incandescent Nicole Scherzinger as Norma Desmond.

“Andrew told me the story about Gielgud snapping Prospero’s staff on the last night and announcing that The Lane would be lost to musicals forever,” the director said.

Oklahoma! and other shows had preceded The Tempest, and it was to be immediately followed by My Fair Lady and many other musicals since.

One day, unexpectedly, the composer and impresario told Lloyd ,”Look, I’ve always wanted Shakespeare back at Drury Lane.”

Lloyd was shown around the theatre, was open to exploring “all the possibilities” and felt excited to be the first company to bring Shakespeare back to The Lane.

It made sense that The Tempest needed to be the one that marked the return.

Lloyd told us that he had an epiphany one night that Sigourney Weaver playing Prospero would “create theatrical electricity.”

He fired off an email Weaver’s agent, who responded that it was unlikely that she’d want to engage because Weaver hadn’t performed Shakespeare in public for over 30 years, and the last time she was on a stage was when she did Christopher Durang’s Vanya and Sonia and Masha and Spike in NYC in 2012.

The very next morning, Lloyd continued, ”There was an email in my inbox with the subject, “Hello from Sigourney.” And she wrote me this amazing email — really passionate, excited email. We got on Zoom straight away, and we had an amazing, inspiring conversation. She’s such a lovely, witty person. So insightful. She’d read the play, especially from a perspective of a woman playing Prospero. And that really excited her and it made sense and illuminated the play in new ways. And so she’s coming to make her West End debut at Drury Lane playing Prospero in The Tempest.”

He added that he kept coming back to Weaver’s performances “in all those iconic movies — Ghostbusters, Gorillas in the Mist, Working Girl, all of them.” 

Lloyd went a little bit��fanboy and told her that he’d seen “Alien more times than any other movie. And I just thought, ‘How amazing would it be to work with someone that you’ve admired since you were a kid?’ Oh, wow. And to bring her to London. And again, it just feels like such an event.” 

The director believes that Weaver’s “commanding presence, huge charisma and that amazing power” is perfect to play Prospero. And that she can “clearly get into the complexity of the role” of this person “with delusions of vengeance, this kind of ruthless revenge against the people that have sent her away, to learning about forgiveness and love and compassion. There’s a real journey in that, isn’t there? And there’s a real internal struggle. And we talked about how a shipwreck can become a new kind of hope. Can’t there? I mean, really, that’s my sort of key thinking about the entire season, is that I just want this to be a really joyful season. And both of the plays are about the hope of the future and not dwelling on the past, maybe,“ he said. 

Lloyd added that he felt “honored” that Weaver even responded to his email because he thought “it bode so well in terms of just a direct email straight away; it’s very personal. As we know, sometimes people kind of do things through their teams and managers. But actually, she knows what theater is, and she knows it’s about relationships.”

Lloyd’s well aware of that too. 

He goes way back with Hiddleston, even further with Atwell.

Back in early 2019, Lloyd directed a hauntingly sublime version of Harold Pinter’s Betrayal with Hiddleston, Zawe Ashton and Charlie Cox at the Harold Pinter Theatre. It quickly transferred to the Bernard B. Jacobs Theatre for a limited run, where it was nominated for four Tony Awards.

Lloyd has remained close to his cast ever since.

Similarly with Atwell, who he directed in Alexi Kaye Campbell’s 2011 play The Faith Machine at London’s Royal Court Theatre. They reunited two years later in a revival of Kaye’s The Pride, in which Atwell excelled, at the Trafalgar Studios. The drama was an early example of Lloyd’s then-nascent Jamie Lloyd Company, which at the time was in partnership with ATG Entertainment.

He added that it’s “very meaningful” in terms of the season for him to be working with “those two old collaborators, they’re Jamie  Lloyd Company alumni. And I think they’re both two of the finest of our generation, aren’t they? And they know each other well. So there’s an instant chemistry between the two of them, and I can’t wait to see what they come up with for Benedick and Beatrice.”

Lloyd’s enjoyed watching Hiddleston and Atwell on screens both big and small. He mentioned Hiddleston’s performance in The Night Manager — he’s in the midst of shooting its sequel — and the actor’s adventures playing Loki in the various levels of the Marvel Universe. “And he still comes home to the theatre whenever he can,” Lloyd marveled.

Atwell soared in the Marvel Universe as well, plus she has been starring with Tom Cruise in Mission: Impossible – Dead Reckoning, Part One and its follow-up Mission: Impossible 8. She was remarkable in a a revival of Rosmersholm, directed by Ian Rickson at the Duke of York’s in 2019, the year before she played Isabel for director Josie Rourke in Measure for Measure at the Donmar Warehouse. 

“So she’s the real deal,” Lloyd declared. “Both are, and they’re also both very witty people. … They’ve got this great intelligence, this great wit,” Lloyd observed, perfect qualities for Much Ado About Nothing, which he called “a joyful play.”

Although he complained that he has seen it played a touch too “broad.”

He said that it doesn’t need to be played at a “slapstick pace” to be fun. “The language in its own right is funny. I think they’ll be amazing sparring partners but also hint at that kind of tenderness under the surface.”

Both productions of The Tempest and Much Ado About Nothing will be stripped back, and he will ponder with frequent collaborator Soutra  Gilmour on how the shows will look and feel. 

There’s a shipwreck in The Tempest, but Lloyd won’t reveal whether he’s tempted or not to place one on the Drury Lane’s boards.

However, unlike his Sunset Boulevard and Romeo and Juliet productions, he won’t be using video as part of the performance for the Drury Lane shows.

“They’ll be stripped down, but no video. I’m saving all the video energy for Sunset Boulevard on Broadway,” he explained.

The two Shakespeares will run between Disney’s Frozen, which closes September 8, and musical Hercules, which begins performances in summer 2025.

“That’s why the Shakespeare season is a strictly limited total of 16 weeks,” said Lloyd. He added that there have been no discussions about the plays being captured by the National Theatre’s NT Live cameras, nor has there been talk of transferring to Broadway. 

“I always just make something for the theatre in which it’s meant to be performed, and then we see the after that,” Lloyd said during a conversation at the Jamie Lloyd Company offices located in a wing of Somerset House on the Strand, literally a stone’s throw from the Drury Lane.

We first touched base about the possibility of Shakespeare at Drury Lane late last year and have kept talking, on and off, since.

All kinds of names were bandied about by a few in the know. “Tom Hanks,” someone gleefully told me. Wrong Tom, old boy.

“Margot Robbie,” another boasted. 

“It’s so funny. I’ve heard these names, “ said Lloyd, “but no, not true. I mean, I would love to work with Margot Robbie on a play. I think she’s remarkable, isn’t she? And she came to see A Doll’s House that we did with Jessica Chastain. And that would be a dream come true to work with her.”

However, he revealed that he had spoken to Robbie “a couple of times” but “not” about Shakespeare.

“I think, as I say, one day, she’d like to explore the idea of doing a play, but let’s see what happens,” he cautioned.

Lloyd soon heads back to New York to begin rehearsals for Sunset Boulevard.

He and Weaver plan to meet up while he’s there to discuss her Prospero. He noted that the name won’t switch gender to Prospera as happened with Julie Taymor’s 2010 film of The Tempest, where the revengeful noble magician was played by Helen Mirren.

“It will remain Prospero,” Lloyd insisted.

Rehearsals for The Tempest will begin in London on October 28, “literally a week after we open Sunset on Broadway,” Lloyd said. 

His Jamie Lloyd Company will produce the season alone without the participation of ATG Entertainment.

The 16-week Shakespeare season will feature 25,000 tickets for £25 [US$32] and they’ll be “ring-fenced exclusively” for under-30s, key workers and those receiving government benefits. He said that he’s “well aware” that in the past wealthier folk who can afford to pay steeper prices have taken unfair advantage and gobbled up specially priced cheaper seats.

“These are good seats too,” he beamed. But they will introduce new methods to ensure the cheap seats go to the “right people.”

Working on The Tempest at Drury Lane will sort of complete a circle of coincidence for Weaver. 

She’ll be taking on a role last performed there by Gielgud.

Her first Broadway credit in 1975 was to work on a revival of W. Somerset Maugham’s The Constant Wife, starring Ingrid Bergman.

Weaver worked as an assistant stage manager and understudy.

The production was directed by John Gielgud.

[bearsinpotatosacks]

The beautiful thing about the Bear is that it's such a high stress show that you can apply it to other high stress environments and the AU works. I can see some kind of hospital/medical AU, or, in this case, a dancer AU.

The Berzattos run a dance school for kids, teens, and adults. They do different styles of dance, teach according to syllabus and some of their best students, like Carmen Berzatto even go on to become professionals. Syd used to go there when she was a kid until her dad noticed her passion, and worked extra hard to get into the Joffrey Ballet, then the New York Ballet before she got disillusioned and tried to start her own dance company and failed.

Carmy joined the Joffrey Ballet in Chicago, being taught by Andrea, as a child before being picked up by the Paris Opera ballet, before moving to the Royal Danish Ballet in Copenhagen, then moving onto the San Francisco Ballet before finally joining the American Ballet Theatre in New York, this is where David abuses him.

Mikey didn't have as much promise, he was a good dancer at many things, but didn't have the drive that Carmy did, so runs the dance school instead. He met Richie at the school, his mother was a dancer and she noticed his inability to sit still and put him in the dance school, his dad didn't approve at first but he started getting roles in musicals, he's a brilliant tap dancer and could've gone far in musical theatre but Mikey pulled him in. He got roles, worked hard for them but always got brought back to the dance school eventually.

Tina got into musical theatre 'too late', she's been in a local theatre outside of work but after getting fired, she's heard singing to herself at the bus stop outside the dance school, Mikey hears and offers her a job as the musical theatre teacher with Richie.

Mikey dies and Carmy's left the dance school. The place isn't doing well, they could be going out of business. Syd, who's been idolising him since she saw him in the Royal Danish's production of the Nutcracker, starts to work there. Carmy becomes strict on uniform and respect to the teacher, Richie's more relaxed, he's dance teacher but wants it to be fun, not a military school.

She and Richie don't get on, she's used to the skill levels of professional ballet studios, not local dance schools. She starts to see how good he is with the students, he can control the room easier and his students have more freedom and are generally happier.

Carmy decides to up the stakes of the school's usual yearly show, they promise Jimmy a certain amount of profit and a certain number of new uptake of students. They ask Tina choreograph her own section of the show to whatever she wants, she goes with West Side Story.

Sydney looks at some of the previous shows, and some of the previous work of the teachers to see if there's anything they could possibly do and stumbles upon some of Richie's work in musical theatre. She mentions it to Carmy, they talk to Richie, who's unsure as it's been a while.

She's there late one night when she hears something and sees Richie dancing to Singin in the Rain, which he performed on tour. They talk about dreams and goals, she encourages him to perform, but he's hesitant as it's been so long

Syd and Carmy are going to do a duet, but when it comes to the night, Carmy gets locked in one of the dressing rooms getting something for one of the kids. Syd's scared, so Richie improvises and steps in, he's seen them rehearsing and does his best (is this all because I want to imagine Richie lifting Syd like she weighs nothing? yes).

She joins him in doing 'Moses Supposes' from Singin in the Rain (minus the singing), something he used to perform with Mikey, because she makes him feel confident enough to perform again. They get through, make a fair bit of money and get some sign ups. Richie also gets an invitation to audition for another musical, with Syd's encouragement, he does.

Also added on: Eva being in Richie's dance class, Richie and Syd are in suits when they dance together to 'Moses Supposes', Syd and Richie teaching a class together and reluctantly getting along

[jedivoodoochile]

Joanne Latham.

Latham was born in Wolverhampton. After studying classical ballet for nine years she took a scholarship to the Royal Ballet School. A dancing competition led to her modelling for retailer Miss Selfridge. This led on to other modelling and television commercials, including appearing on Page 3 of The Sun and in the Daily Mirror.

In 1978, ATV made a documentary about her called "A Model's Dream" in the series England, Their England. After a shoot with leading glamour photographer Patrick Lichfield, he included her photo on the inside front cover of his book The Most Beautiful Women, a collection of his photographs.

In 1979, men's magazines Playboy and Penthouse competed to publish the first nude pictures of her. Latham signed a contract with Bob Guccione and Penthouse, which promised a fee of £70,000 for her to appear in the September 1979 issue, which was also the 10th Anniversary of the US edition. Latham was selected as Pet Of The Month and featured on nineteen pages of the magazine, including the cover. That edition made U.S. history, selling more in dollar percentage than any other magazine to date and making a profit of $18 million. She also appeared with other Penthouse Pets in the televised broadcast pageant for the selection of the 1979 Pet Of The Year, in which she participated in the opening segment with singer Frankie Valli and a fashion show. After a brief affair with Guccione, Latham's contract was terminated with Penthouse when she fell in love with Guccione's son. She moved from New York to Los Angeles and briefly became the girlfriend of Hugh Hefner, living in the Playboy Mansion. In the early 1980s, Latham returned to England to her Midland home in the village of Tettenhall.

Latham was featured on the cover of Death Penalty, the debut album by the heavy metal band Witchfinder General, which was released in 1982. She also featured on the cover of Friends of Hell, their second album released in 1983.

In 1982, Latham was involved in a serious car accident, after which she gave up modelling and opened the first 'workout' keep-fit studio in the UK. Her daughter, Elizablue Nairi, was born in southern Spain in June 1985.

In later years, she studied drama at Birmingham Repertory Theatre, working under a director of the Royal Shakespeare Company and went on to play the lead role in a government-funded film for the arts.

In 1999, Latham became a teacher of yoga training at the Sivananda Yoga Vendanta Centre in Nassau, Bahamas. Since then, she has continued working in the healing arts. Despite several offers, she has refused to write her autobiography. She has set up her own charity with her daughter 'Blue', who is also a teacher of yoga.

[onlydylanobrien]

Saturday Night Premiere at TIFF 2024

SATURDAY NIGHT

Jason Reitman CANADIAN PREMIERE United States of America | 2024 | 109m | English

Director Jason Reitman captures the frenzied lead-up to the very first episode of Saturday Night Live as a motley bunch of then-unknown and untrained young comedians prepare to step into a revolutionary spotlight that will change history and make them all stars. It’s the mid-1970s, and a flipbook of Watergate, Vietnam, and rising counterculture make everything old in America feel broken, and everything new feel scary as hell. And now, yet another certainty is about to crack. Because in 90 minutes’ time, live, from New York, it’s Saturday Night.

SATURDAY NIGHT dives headfirst into the frenzied hour-and-a-half before a clutch of unknown, untrained, unruly young comedians took over network television and transformed the culture. Saturday Night Live would go on to become the late-night institution that brought John Belushi, Dan Aykroyd, and later Eddie Murphy, Tina Fey, Will Ferrell, and others to our screens. But tonight, it’s barely contained madness backstage, with Canadian Lorne Michaels (Gabriel LaBelle, The Fabelmans, TIFF ’22) desperately trying to channel the chaos towards a vision even he’s not sure of.

On the eve of SNL’s 50th anniversary, it’s a particular pleasure to watch how unlikely it all was at the beginning. Chevy Chase honing the frat boy charm that would make him a movie star. Garrett Morris saying America’s racial quiet part out loud. Belushi a bundle of Id in the corner. Jane Curtin, Laraine Newman, and Gilda Radner holding their own against a tide of comedy testosterone.

Director Jason Reitman (Juno, Up in the Air, Ghostbusters: Afterlife) has made certified classics, but he’s never made a film like this. Fuelled by the same anarchic energy that drove the show to air, he orchestrates this tour de force as a glorious circus of talent, ambition, and appetite for risk, with the clock ticking down to showtime.

CAMERON BAILEY

Content advisory: drug use, coarse language

Showtimes

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Tuesday, September 10 Royal Alexandra Theatre Premium 11:00 PM

Wednesday, September 11 Scotiabank Theatre Toronto Press & Industry 3:15 PM

Wednesday, September 11 Visa Screening Room at the Princess of Wales Theatre Premium 9:00 PM

Friday, September 13 Visa Screening Room at the Princess of Wales Theatre 9:00 PM

Saturday, September 14 Scotiabank Theatre Toronto 3:00 PM